Graphic Design and Illustration.

Project Ampersand

The Ampersand Project


In looking for interesting art project to take on, I stumbled upon this website for the Sketchbook Project. It is a library of sketchbooks from people all over the world. Much of it appears to be online and there is a physical library that moves around to different parts of the United States (and very occasionally, Canada) for people to browse through and be inspired.

Unfortunately, based on my understanding of the project, you have to use one of their sketchbooks to participate in the Sketchbook Project. A little while ago, an art supply store in Winnipeg closed its doors and had quite a good liquidation sale. Consequently, I have plenty of sketchbooks on hand, and won’t need a new one for quite some time. So I couldn’t justify buying into the project. But they did have a side project, the Ampersand Project, that was more compelling (and easier for me to justify).

Here is a brief expert from the site that explains the project:

 Through hundreds of works of art, The Ampersand Project will explore the ways each of us can interpret something as direct as a written symbol like the humble ampersand (&).

Being that “&” means “and,” we feel like it’s the perfect character to symbolize an exchange that connects you and another person. Make a simple image that interprets this unique piece of our letter-set and we’ll send you the work of another participant in exchange.

I signed up for the project and received the kit in the mail a few weeks later.

The project consisted of a pre-gessoed art board from a company called Ampersand (I think I know how the name of the project came about) and a copy of the rules and where to submit the final art.

All I needed was an idea that fit the theme.

Being a graphic designer, I thought it fitting that I literally paint an ampersand. Though I must confess, that after doing more than my fair share of hand lettering in school, I swore off hand lettering type once I graduated. Having to hand letter New Baskerville Bold in 16 point type for a logo using gauche kind of kills ones enthusiasm to actually hand letter type. Though I do admire the people who hand letter type. The good news was, I am a designer who learned his craft in the mid nineties, so I was not too adverse to some grunge lettering. Exactness need not apply.

But just painting an ampersand still seemed a little boring, so I though of adding a little twist to everything. How about a little collaboration? How about Artist AND son? Seemed like a great idea to me. And with my son Aiden being just 10 months old at the time, I figured he would be pretty easy to convince to participate.

I first started out painting a very basic foundation using a colour scheme I pre-selected. The pre-gessoed board was very, very smooth and I was unsure if it would lend itself to the rough, grungy type I wanted to paint later on. But luck was on my side…

Once I got a base coat of paint I was happy with, I let everything get bone dry. Then I grabbed my kid, some newspaper (actually, quite a bit of newspaper), and some Crayola non-toxic finger paint (I was using proper, grown-up acrylic paint for my part). I then liberally put large globs of finger paint of the board and let my kid do his thing. Since the paint was very globby and tactile, Aiden was all too happy to smear the paint all over. And proving he is his father’s child, managed to get just as much paint on him as the canvas. Nice to see the apple doesn’t fall far from the tree!


Artist hard at work.

Artist hard at work.

Admiring the handiwork.

Admiring the handiwork.

One messy, messy baby. Dad wasn't too clean either.

One messy, messy baby. Dad wasn’t too clean either.


For anyone interested, the finger paint dried onto the acrylic as an almost translucent gel. The yellow, pretty much disappeared altogether, with the green and red showing up the best. Much of the blue turned green though, as I think I put yellow finger paint on the most and that readily turned green when mixed with the blue. Duh!


Aiden_Collab


Afterwards, I added some more colours in acrylic. The colours I chose and their placement were influenced by where my co-contributor placed his colours. For those people reading this who have access to the original art, you will still see some of the finger paint showing through.

And as it turned out, the very goopy finger paint created a nice rough surface for me to paint my grungy type on. Perfect! And quite lucky.

I cheated on the type though. I printed out an ampersand on my printer at home and cut it out using an exacto knife. I then used the cutouts as a stencil to aide me in my type painting.

After everything was dry, I sprayed everything with a fixative as I wasn’t too sure what would happen to the finger paint over time.


Final


My piece has since been mailed in for submission. I’ll post an update once I recieve my swapped painting in the mail and will try to provide a link to my digitized painting at the official Ampersand Project web page.

 


EDIT:

The Ampersand Project is now closed, with all results digitized. There is a Flickr stream of the images available. Mine can be found by clicking here. We have also received our painting swap. From someone named Lesley Wilmoth. Too bad that is all the info I have. It is a nice multi media panting with lots of interesting textures. The colour scheme will fit quite nicely with the decor of my co-artisit’s room and will be hung with pride once I can track down a suitable frame. You can see the image here:

Lesley Wilmoth Ampersand

 

Image of the Month – February 2014

Sherlock Holmes


After a brief hiatus for a trip to Florida and the Western Carribean, I am back!

And to start things off right, here is this month’s Image of the Month. A tribute to Robert Downey Jr’s portrayal to Sherlock Holmes!

This image was originally a black and white sketch I posted this past week to @Sketch_Dailies, a Twitter feed I will be blogging about probably next week.


Original Pencil Sketch.

Original Pencil Sketch.


One of their daily challenges was Sherlock. Most everyone was riffing off Benedict Cumberbatch’s BBC TV version. So I decided to do something a bit different. This is the “colour” version. Enjoy.

Image of the Month – January 2014

Cute Polar Bear


To celebrate all the wonderful snow and freezing cold weather we have had this winter, I thought nothing would be better than a polar bear.

Started out as a pencil sketch with the colour and final details worked out in Photoshop.

Enjoy.

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Anatomy of a Designer – The Portfolio, Part Two

Image scanned from some really old reference material I inherited from my grandfather. Source unknown. Circa the 1930s or 40s.

Image scanned from some really old reference material I inherited from my grandfather. Source unknown. Circa the 1930s or 40s.


This is part two of a multi-part post. Part one can be found here.


So now you’ve graduated, now what to do about your portfolio?

Unless you were fortunate enough to do a great deal of freelancing during your education, your portfolio will be full of mostly student work, and it will show. There is just no substitute for real work for real clients. But not all is lost.

Hopefully, your class had a course on portfolio development. I know mine did. But as someone who has been in the industry for a while, there are a few things you should be doing.

A Little Rough Around the Edges

One thing that helps out a student’s portfolio is concept roughs and thumbnails. Showing your thumbnails and early sketches for projects can help show prospective Creative Directors and Art Directors how you work and think.

The Cold Hard Facts

Online portfolios are great. They can be updated quickly and people from all over the world can see your work when they want. And I think there’s a lot of untapped potential for tablets in portfolio presentation, but you should still be investing some money and time into a physical, hardcopy portfolio. It may be harder to keep up to date, but the batteries will never run out right before an important meeting.

It also seems that quite a few publications still like to get work from hopeful illustrators via physical copies. Though depending on the type of publication work you might be interested in, your mileage may vary.

And never underestimate the computer impaired. They are still around and pop up in the most unexpected places.

Your Work Does Not Speak for Itself

This has to be the biggest mistake I’ve seen on online portfolios: no context.

Lots of pretty pictures of logos, signs, packaging, websites and apps. But nothing about why and how the design came about. It would be nice to know details about the project. Stuff in your portfolio should be projects you are passionate about. So write about it. Even just some basic statements about the goals and objectives for each project and how your designs meet those goals and objective will go a long way to flesh out a portfolio and gain the attention of prospects.

The same goes for old-school physical portfolios. Some brief, written text that goes with each image can help a lot. Especially if you aren’t there to give a presentation of your work.


Next week: Some thoughts on mid-career portfolios.

Anatomy of an Artist – The Portfolio, Part One

Image scanned from some really old reference material I inherited from my grandfather. Source unknown. Circa the 1930s or 40s.

Image scanned from some really old reference material I inherited from my grandfather. Source unknown. Circa the 1930s or 40s.


This post is one of a multipart posting. I’ll be talking about the importance of portfolios in the differing stages of a Graphic Designer’s career.

Every good artist needs a good portfolio. But even before you become an artist, you have to become an art student. And that depends on a portfolio as well.

As far as I know, every fine art, illustration, graphic design and animation program out there usually requires a submission portfolio. This post will focus on that.

First things first.

The best advice I can give anyone starting out on a submissions portfolio is to read through the submission portfolio requirements. Make certain that each piece in your portfolio relates to the course’s requirements. It won’t matter how good you are, if you portfolio doesn’t meet the portfolio requirements, it’s a pretty good chance you won’t be accepted into the program. Back when I was a design student, there was a portfolio submitted where the hopeful student had a very strong and mature style already. The work was beautiful and would have probably made a great student to teach. But there was some real question about whether or not the applicant had met all the different requirements. I believe it was determined that the student had in fact completed all the requirements. But it does show that not meeting the requirements is a very important part of the submission process.

The secret of life.

Most people I know who get into graphic design are often very involved with comics, cartoons, and anime. And more often than not, a self-taught artist. Probably means copying the artwork and styles of favourite artists and pop culture characters. Sadly, most art instructors get pretty jaded towards this. EVERYONE submits comic stuff. Or most everyone. The people who don’t get noticed right away. At least this was my experience years ago when I was in school. I imagine its pretty much the same today.


Early Example


I am embarrased to say this was an early work of mine. I was in my early teens when I did this. It never made it into a portfolio (thank God), but it is a prime example of what I am talking about – blatant copying of existing comic book work with very little understanding of the underlying shapes and forms that make up real life objects in general and the human body in particular.

A really great way to combat this is drawing from life. Life drawing is a fundamental skill any decent artist has to master. It helps you really focus on your drawing subject matter. Drawing from memory (or just making stuff up) is fine, but the human mind tends to store things abstractly, so things start to look a little cartoony if drawing from your memory or imagination alone.

Life drawing studios are a time-honoured tradition. I’ve attended one on and off for over thirteen years. Not including the life drawing class I took while I was in my graphic design course. You should be able to find one in any major city. Joining one can really help a beginning art student develop a style outside of comics and cartoons.


DSC_0176


Of course, life drawing studios are generally focused on drawing the nude human form. Though not always. Some focus on a person usually dressed up in some sort of costume. Or still life. Some may even venture outdoors for some landscapes or sityscapes. But the ones I am most familiar with are focused primarily on the nude human form.

This does present a bit of a problem.

Life drawing will help you out in fleshing out a memorable student portfolio, but as a beginning art student you might also be minor and life drawing studios might be tough to join. At the life drawing studio I am now attending, there is one young man who is currently in grade 11. I believe that would be his sophomore year for our American friends. Anyways, he is quite talented, has made it quite clear he is interested in attending an art program in the States, and he seems fairly mature for his age. At the very least he doesn’t seem to mind hanging out with people quite a bit older than he is. And considering all the things a young man could get himself into, drawing nudes is the least questionable thing he could get involved in. So it may be possible for younger people to attend life drawing provided they have talent and are mature enough.

Otherwise, there are plenty of online resources (I know what you’re thinking, and TRY AGAIN) such as YouTube drawing tutorials and the entire Loomis catalogue is now online. And trying to convince family and friends to pose for you (fully clothed) is actually pretty easy.

Isn’t this misrepresenting myself?

There are those of you where comic book, graffiti or other forms of pop art defines your artistic expression and changing everything to conform to this different style may seem like misrepresenting oneself at best, or selling out at worst. Most portfolio submissions I am aware of have at least some part set aside for a few personal pieces outside of the programs requirements. This is the time to let your personal creative side through. And trying to merge the basics of life drawing exercises into even fairly abstract or cartoony drawing forms will vastly improve your work. ANy artist will benefit from this.

Tackle the whole page.

Years ago, while attending a drawing class, there was someone attending who was interested in maybe attending Sheridan College in Ontario where they have a very respected animation program. He showed up with a tiny little lined paper notebook and a pencil to draw in. He spent most of the class hunched over these little pieces of paper, drawing tiny little drawings. For our last drawing, someone else in the class took pity on him and lent him a great big piece of newsprint and a huge chunk of charcoal. He then proceeded to draw a tiny little drawing in the corner of the paper, in much the same size as his little notebook.

I’ve never tried to get into Sheridan College, but I can only imagine the profs there would not be too impressed with that. If you have a large sheet of paper, try to fill the whole thing up.

Lastly, care about your work.

Try to represent your work in the best possible light. Folded or torn pieces of paper do not make for a great presentation. You are going to want to make certain your work is seen in the best light possible. And making certain your work is presentable shows that you are interested in your own artwork.


So that’s it. Please consider these was words of wisdom from someone whose has been there. Your mileage may vary with these helpful hints depending on the particulars for the different art programs out there. Which makes my very first point – making certain your submission portfolio meets the basic requirements of the course – the most important piece of advice I can give. The rest will depend on your own artistic style and what you hope to eventually get out of your art career.

Next week: You’ve graduated. Now what?

Drawcember – Final Update

Well, here’s the last few days of Drawcember.

Cowboy riding giraffe

A strange cowboy riding a very different steed.Shoe

A shoe. Drawn in charcoal.

Frozen Guy

And I drew this guy while watching the movie New Years Eve. Pretty much North America’s answer to Love Actually. Winnipeg (and a good chunk of central Canada) has been a bit nippy these past few weeks. It’s even been mentioned that we’re a bit colder than temperatures taken by the Mars rover!


Final Thoughts

This of course means that my little drawing challenge is now over. It was fun, but December is a pretty hectic month to be trying something like this. So I am not too certain I’ll do this again. Maybe there will be some other month I could try…

Image of the Month – December 2013

December_2013


A few days late, but considering the bulk of the drawings I have completed this month, I think I can let this one pass. This is a quickie colour rendering of one of my Drawcember pieces. ANd I got to try out some funky new Photoshop brushes.

I’ll be posting the last few Drawcember images at the end of this week.

Enjoy.

Drawcember Update – Week 4

Well I am almost done! Just a few more days. This was a tough one with Christmas in the way and with both myself and my son Aiden under the weather.

Harry Potter

These are my interpretation of the main Harry Potter cast. There was a Harry Potter marathon on Space Channel this past week. Was inspired. This on is of course Harry.Hermione Granger

Hermione Granger.Ron Weasley

ANd of course, Ron Weasey.Merry Christmas

I actually found some time on Christmas eve to draw this!
Happy Spacemas

I was kind of of desperate on Boxing Day to draw something. This was all I had.Cartoon Monster

Someone needs a bigger Jaeger.Weird Lizard Thingy

Some weird random lizard thingy. Very spontaneous, stream-of-conscience image.

Drawcember – Week 3 Update

So another week down and still going strong. A Rundown of the latest images:

Dec 15

It’s getting close to Christmas but an elf does still need a coffee break now and again.Dec 16

A cartoon drawing of me and my son, Aiden.Dec 17

A picture of our cat Jessie with some antlers and a bemused expression on her face. In real life, I would imagine this would NOT be her expression if she suddenly grew antlers for Christmas. She’s a pretty tightly wound cat.Dec 18

I’m not much of a robot designer. In fact, I quickly altered the look of the face once I had posted this on Twitter.Dec 19

A VERY old idea I once had for a comic super hero. Captain Testosterone.

Cartoon buffalo paddling canoe

A buffalo voyageur. Voyageurs were French-canadian fur traders that helped explore western Canada in the early 19th century. I though combining the Voyageurs with a Bison made for a great Manitoba Mashup of provincial icons.Dec 21

They were selling these guys at a local grocery store. That was my inspiration. And they were quick and easy to draw,

Drawcember – Week 2 Update

So here’s the second week of my daily drawing challenge. It was a bit tough this week as my work days were pretty hectic. I even forgot to post to Twitter for one of the days.

Dec_08

The Little Mermaid was on TV the night I drew this. Believe it or not, I had never seen the Disney version before.

Dec_10

This was from a life drawing drop in class at the Cre8ery here in Winnipeg. It was not a good night for me. This was the only one worth posting. I am hoping got get off my butt and digitize a whole whack of life drawing sketches in the new year.

Dec_09

A tough looking barbarian dude. I think I was channelling Joe Kubert for this one.Dec_11

A bunch of faces I drew on my lunch break at my work. This was the image I forget to post.Dec_12

I was drawing (cartoonish) polar bears at work on this day. Inspired me to draw this more realistic pencil sketch.Dec_13

Baby ninja sketch done while watching my son play. Kimmy commented that this could be a good Munny design. Maybe, I have a couple of Foomi designs to take care os sometime in 2014…Dec_14

Of course this meant that I had to answer my baby ninja drawing with a baby pirate drawing. Ninja vs Pirates anyone?